Qou Imus?

Random tiddy, or random udder...?

Apparently not enough to prevent the store from selling out of their breast milk ice cream.

Non-Compete Clause

Some club owners try to get clever.
Some seek to eliminate any competition.
As part of my service contract I offer the option of a Non-Compete Clause which forbids me from working at a similar nightclub or venue.
The clause usually stipulates that I cannot work for a rival 'Black-owned' club for a set amount of time.
But since I cannot do that at which I'm good - this costs extra money.
The owners pay me not to work.

The funny thing is that a group of local Asian club owners from California seeks to expand their demographic.
The guys are used to Black people but many Blacks in the South are not used to being around large numbers of Asians.
They are well funded (rumoured to be Triad) and they treat me to bottle service and a couple of booths whenever I wish to attend their clubs.
I've yet to work at bringing Blacks to an Asian club before - this might be interesting...
Local DJ's, club owners, liquor reps, and patrons all suggested that this group hire me.
They say that I have broad cross-cultural appeal and that I could make their spot the spot.
Damn... getting paid by club owners who felt the need to stipulate "Black-owned" while making money doing the job anyway...?
Suckers.

"The Ant Bully"

 That's what a doorman called me.
Why?
Because I'm amused when people who think that they are important get offended by the simplest of slights.

Sometimes I'll put two cherries on one drink while placing only one on the others belonging to a group of women.
To most people this is no big deal.
Sometimes I'll put a cosmo in a more decorated glass while giving the rest of the women in the party the standard glassware.
To most people this is no big deal.

But maybe club women are different.
Maybe women who frequent night clubs have a need to feel special.
I really don't know, but it's funny to watch a group of women getting upset that one member of their group might be getting something perceived as being only slightly better.

nicole richie

nicole richie wearing wildfox

nicole richie wearing wildfox with her son

nicole richie wearing wildfox with her son

nicole richie wearing wildfox with her son

Anna Popplewell

Anna Katherine Popplewell (born 16 December 1988) is an English actress. She is best known for her role as Susan Pevensie in The Chronicles of Narnia film series. Popplewell, eldest of three children, is the daughter of Andrew Popplewell and Dr. Debra Lomas, an immunologist. She has two younger actor siblings: Lulu Popplewell and Freddie Popplewell, who starred as Michael Darling in the movie Peter Pan. Her paternal grandfather, Sir Oliver Popplewell, is a distinguished former judge. She attended North London Collegiate School and was Head Girl 2006–2007. She is also friends with her co-stars: Georgie Henley, Ben Barnes, William Moseley, and Skandar Keynes. Since 2007, Popplewell has been a student of English at Magdalen College, Oxford. She resides in Highbury, North London.

Popplewell began acting at the age of six, taking classes at the Allsorts Drama School. She began acting professionally in the TV production Frenchman's Creek in 1998. She made her film debut in 1999 in the film Mansfield Park and has since appeared in supporting roles in films like The Little Vampire (2000) and Girl with a Pearl Earring (2003) with Scarlett Johansson. In 2001 she appeared as Victoria in the BBC serial Love in a Cold Climate. Her first major role was in the film The Lion, the Witch and the Wardrobe (2005) where she played Susan Pevensie. She has a phobia of mice, which required a double to do part of her scene at the Stone Table in The Lion, the Witch, and the Wardrobe. She reprised her role in the sequel, Prince Caspian, in which she acted with William Moseley, Skandar Keynes, Georgie Henley and Ben Barnes. The movie opened in theatres 16 May 2008. She also made a cameo appearance in the third Narnia film, The Voyage of the Dawn Treader, despite her character's absence in the book on which it is based. She was awarded the Cuppers Prize in 2007 for Best Supporting Actress in a student production of Five Kinds of Silence. In December 2007, she played Lady Macbeth in a student production of Macbeth at the OFS Studio in Oxford. In 2008 she performed as the character Wendla in the controversial play Spring Awakening.

Anna Popplewell Beautiful Smile

Anna Popplewell Narnia Costume

Anna Popplewell With Her Friends

Anna Popplewell Blue Gown

Kirsten Dunst

Kirsten Caroline Dunst (born April 30, 1982) is an American actress, model, and singer. She made her film debut in Oedipus Wrecks, a short film directed by Woody Allen for the anthology New York Stories (1989). At the age of 12, Dunst gained widespread recognition playing the role of vampire Claudia in Interview with the Vampire (1994), a performance for which she was nominated for a Golden Globe Award for Best Supporting Actress. The same year she appeared in Little Women, to further acclaim. Dunst achieved international fame as a result of her portrayal of Mary Jane Watson in the Spider-Man trilogy (2002–07). Since then her films have included the romantic comedy Wimbledon (2004), the romantic science fiction Eternal Sunshine of the Spotless Mind (2004) and Cameron Crowe's tragicomedy Elizabethtown (2005). She played the title role in Sofia Coppola's Marie Antoinette (2006), and she starred in the comedy How to Lose Friends & Alienate People (2008). In 2001, Dunst made her singing debut in the film Get Over It, in which she performed two songs. She also sang the jazz song "After You've Gone" for the end credits of the film The Cat's Meow (2001). In early 2008, Dunst confirmed she was suffering from depression, checking into a treatment center before discharging herself in March and resuming her career. Dunst was born at Point Pleasant, New Jersey, to Inez (née Rupprecht) and Klaus Dunst. She has one younger brother. Her father worked as a medical services executive, and her mother was an artist and one-time gallery owner. Dunst is of German descent on her father's side, and Swedish on her mother's. Until the age of six, Dunst lived in New Jersey, where she attended Ranney School. In 1991, she moved with her mother and younger brother to Los Angeles, California. In 1995, her mother filed for divorce. The following year Dunst began attending Notre Dame, a private Catholic high school in Los Angeles. After graduating from Notre Dame, Dunst continued the acting career that she had begun at the age of eight. As a teenager, she found it difficult to deal with her rising fame, and for a period she blamed her mother for pushing her into acting as a child. However, she later expressed that her mother "always had the best intentions". When asked if she had any regrets about the way she spent her childhood, Dunst said: "Well, it's not a natural way to grow up, but it's the way I grew up and I wouldn't change it. I have my stuff to work out ... I don't think anybody can sit around and say: 'My life is more screwed up than yours.' Everybody has their issues."

Dunst began her career when she was three years old as a child fashion model in television commercials. She was signed with Ford Models and Elite Model Management. At the age of eight years old she made her film debut in a minor role in Woody Allen's Oedipus Wrecks, a short film that was released as one-third of the anthology New York Stories (1989). Soon after, she landed a small part in The Bonfire of the Vanities (1990), as Tom Hanks's daughter. In 1993, Dunst played Hedril in "Dark Page," the seventh episode of the seventh season of Star Trek: The Next Generation. The breakthrough role in Dunst's career came in Interview with the Vampire, a 1994 film based on Anne Rice's novel, in which she played the child vampire Claudia, a surrogate daughter to Tom Cruise and Brad Pitt's characters in the film. The film received ambivalent reviews, but many film critics complimented Dunst's performance. Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the "creepier" aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth. Todd McCarthy in Variety noted that Dunst was "just right" for the family. The film featured a scene in which Dunst received her first kiss from Brad Pitt, who was 18 years her senior. In an interview with Interview magazine, she revealed, while questioned about her kissing scene with Pitt, that kissing him had made her feel uncomfortable: "I thought it was gross, that Brad had cooties. I mean, I was 10." Her performance earned her the MTV Movie Award for Best Breakthrough Performance, the Saturn Award for Best Young Actress, and her first Golden Globe Award nomination.Later in 1994, Dunst appeared in the adaptation of the drama Little Women opposite Winona Ryder and Claire Danes. The film received favorable reviews: critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, "The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933. Ms Dunst, also scarily effective as the baby bloodsucker of Interview With the Vampire, is a little vamp with a big future."

In 1995, she appeared in the fantasy movie Jumanji, loosely based on Chris Van Allsburg's 1981 book of the same name. The story is about a supernatural and ominous board game which makes animals and other jungle hazards appear upon each roll of the dice. She was part of an ensemble cast that included Robin Williams, Bonnie Hunt, and David Alan Grier. The movie grossed $100 million worldwide. That year, and again in 2002, she was named one of People magazine's 50 Most Beautiful People. In 1996, Dunst had a recurring role in the third season of NBC's medical drama ER. She portrayed a child prostitute, Charlie Chiemingo, taken under the guidance of Dr. Doug Ross, played by George Clooney. In 1997, she was the voice of Young Anastasia in the animated musical film Anastasia. Also in 1997, Dunst appeared in the political satire Wag the Dog, opposite Robert De Niro and Dustin Hoffman. The following year she was the voice of the title character, Kiki, a 13-year-old apprentice witch who leaves her home village to spend a year on her own, in the anime movie Kiki's Delivery Service (1998). Dunst was offered the role of Angela in the 1999 drama film American Beauty, but turned it down because she did not want to appear in the film's suggestive sexual scenes or kiss co-star Kevin Spacey. She later explained: "When I read it, I was 15 and I don't think I was mature enough to understand the script's material." That same year, she appeared in the comedy Dick, alongside Michelle Williams. The film is a parody retelling the events of the Watergate scandal which lead to the resignation of U.S. president Richard Nixon.

In Sofia Coppola's independent film The Virgin Suicides (1999), Dunst played the role of troubled adolescent Lux Lisbon. The film was screened as a special presentation at the 43rd San Francisco International Film Festival in 2000. The movie received generally favorable reviews, and San Francisco Chronicle critic Peter Stack noted in his review that Dunst "beautifully balances innocence and wantonness." In 2000, she played Torrance Shipman, the captain of a cheerleading squad in Bring It On. The film generated mostly critical reviews, with Charles Taylor of Salon.com writing that the film had failed to provide Dunst with as good a role as she had either in Dick or in The Virgin Suicides. However, Jessica Winter of The Village Voice complimented Dunst, stating that her performance was "as sprightly and knowingly daft as her turn in Dick. She provides the only major element of Bring It On that plays as tweaking parody rather than slick, strident, body-slam churlishness." The movie grossed $68 million worldwide. The following year, Dunst had the lead in the teen comedy Get Over It (2001). She later explained that one of the reasons for accepting the role was that it gave her the opportunity to sing. Also in 2001, she depicted the late American actress Marion Davies in The Cat's Meow, directed by Peter Bogdanovich. Derek Elley of Variety described the film as "playful and sporty," saying that this was Dunst's best performance to date: "Believable as both a spoiled ingenue and a lover to two very different men, Dunst endows a potentially lightweight character with considerable depth and sympathy." In the Esquire review, Tom Carson called her performance "terrific." For her work, she won the Best Actress Silver Ombú category award at the 2002 Mar del Plata Film Festival. Dunst is not married and has not been identified with a long-term partner. She has reportedly been involved in short-term relationships with playwright Jeff Smeenge, actor Jake Gyllenhaal, and musician Johnny Borrell of Razorlight. Dunst supported Democratic candidate John Kerry in the 2004 U.S. presidential election. Four years later, she supported Democrat Barack Obama in the 2008 presidential election. Dunst revealed that she supported Obama "from the beginning" of the presidential campaign. In support of this, she directed and narrated a documentary entitled Why Tuesday, explaining the United States tradition of voting on Tuesdays. Dunst explained that Tuesday is "not a holiday, and [the United States is] one of the lowest democratic countries in voter turnout." She felt it important to "influence people in a positive way" to vote on November 4.

Kirsten Dunst sexy pose

Kirsten Dunst cute smile

Kirsten Dunst hot pose

Kirsten Dunst beautiful face

Being The Empowered Patient.. What it Means, and What it Doesn't

We've come a long way from the days of Marcus Welby (I realize I'm aging myself here)... When patients thought of their doctor as an all-knowing demigod worthy of our complete and implicit trust. Someone we relied on to tell us what to do, and when they did, we simply agreed without (or with very few) questions asked.

The change toward patient-centric care and patient empowerment has been mostly positive for patients- although in some ways it could be argued that these changes in the doctor-patient relationship have had a few unintended consequences.

 I prefer to approach interactions with my patients from a perspective of equality and mutual respect, and believe this natural, not contrived or paternal approach has been very effective in giving my patients the sense of comfort and confidence they desire, knowing that they are being given the tools and information necessary to decide for themselves what is in their best interests.

Occasionally though, I meet someone who is confused about their role in the modern doctor-patient relationship... who either wants me to tell them what to do, or who mistakenly believes that decisions about plastic surgery are similar to ordering dinner at a restaurant- where it is their job to decide where to eat and what to order from the menu, and it is the job of the restaurant to provide them exactly what they asked for. Or worse, someone who thinks that surgery is a "drive-through" experience in which they choose what they want, the surgeon then provides it, and they drive away to choose how their postoperative management should go. It seems these particular patients have mistakenly concluded that being an educated, empowered patient means having an absolute distrust of all physicians...

To some extent therefore, I think that the patient empowerment movement has endangered the patients it meant to protect by eroding trust in physicians beyond what is healthy or appropriate. To be clear, I realize better than most that some of my colleagues have done more to erode trust in doctors than any other group or movement. Not all doctors are worthy of our trust.

But being too distrustful of your health care providers (once you've entered into the relationship) because you think that is the best way to be your own advocate is probably not going to be helpful if your goal is truly to be safe and happy- the relationship you develop with your surgeon will be very important to your safety and happiness, and you (and your surgeon) should approach it with the respect and goodwill you would any other important relationship in your life.

So here is my best, most sincere effort to clarify how you can best approach your relationship with your chosen, Board Certified Plastic Surgeon in order to maximize your safety, enjoy the most pleasant experience, and also maximize your chances of achieving your aesthetic goals.

It should be noted that I will not be discussing how to choose a plastic surgeon, as this has been covered in other posts on this blog. I will also not be reviewing the types of doctors to avoid, as this has also been covered in many of our Monthly Safety Reports. Generally, you should not have liposuction performed by an eye doctor.

So what does it mean to be a truly empowered patient? How can you be sure you're making decisions that are truly in your best interests and not those that are in the best interests of the surgeon? What behaviors might compromise your care or your relationship with your surgeon?

Being an empowered patient, in the simplest terms, means being a well-educated and compliant patient. 

Being well educated is the easy part, right? In this day and age, it truly is the rare exception when I meet a patient who doesn't know everything about my education, training, experience and approach- indeed most have even been in contact with a few former patients- all thanks to the internet. 

But it should always be kept in mind that the internet is a largely unregulated environment, and unless information is being dispensed by a reputable, authoritative body (for example, The American Society of Plastic Surgeons or The American Board of Plastic Surgery), it should be subject to verification- at the very least. Board Certified Plastic Surgeons are held to a very strict code of ethics, but some among us do go astray from time to time in our advertising. In other words, take what you read with a grain of salt... especially if you only read it in one place.

Furthermore, the internet is a great place to gather general information about physicians, procedures, what most patients experience during recovery,.. But you should never allow yourself to think that you can use the internet to make all of your treatment decisions before meeting with a qualified surgeon. 

I've said it to a great many of my friends on the web- choose a great surgeon first, then worry about the what and the how. Learning about your options is great- making firm decisions and then shopping for someone willing to do what you've decided you want is not. Why? Because you cannot be expected to understand the nuances of your own anatomy, the details of how different options might alter your appearance, and other important aspects of the decision making process without the guidance of a well qualified, Board Certified Plastic Surgeon.

Entering the consultation process- or worse, the postoperative period- without an open mind and without a spirit of mutual good faith is disrespectful of your surgeon and truly will compromise your own ability to be safe and happy. We can all agree that treating your doctors like gods is not necessary or appropriate- but it should be equally obvious that (as long as you know the doctor is appropriately trained in the specialty) their many years of education and training do make them worthy of your respect and open-minded communication. Don't be rude and think that hours spent on the internet will make you as knowledgeable as your surgeon.

So learn as much as you can- but keep your mind open. And always spend more time and energy finding a great human being and qualified surgeon to entrust with your safety and happiness FIRST.

Okay, so what does it mean to be compliant? 

Does it mean you should be soft and pliable, abandoning what is important to you to the recommendations of the surgeon? No, it doesn't. 

But it does mean that once you and your surgeon have identified (together) the best course of action to follow- one that maximizes your safety (taking unnecessary chances in cosmetic surgery doesn't make any sense) and likelihood of being happy, that you need to trust them to "do their thing", and once surgery is performed, follow all of their instructions and restrictions in every detail. 

The postoperative period is not the time to start second guessing your surgeon's advice- or worse yet, asking your friends what their surgeons told them to do when they had the same procedure. 

Only your surgeon understands the details of your procedure and the implications these details will have on your recovery, restrictions, and needs. Complicating your doctor-patient relationship by introducing information from well-meaning friends and doctors unfamiliar with your procedure and care can only harm you- and almost ensure you will not achieve the best outcome you could have. 

The plastic surgery experience is supposed to be about being as happy as you can be- achieving maximum self-esteem, right? If this can be agreed on, then it should be easy to understand that doing anything that makes it more likely your experience is negative (even if you look great) or compromises your safety or outcome should be avoided at all costs.

So, following the KISS principle and keeping it simple:

1. Do your homework and find the very best surgeon you can
2. Investigate not only the surgeon, but also the facility and the anesthesia provider
3. Learn about your options but keep an open mind
4. Be as educated as you can, but remember your Board Certified Plastic Surgeon will still know more about your options and the details- listen carefully
5. The relationship between you and your surgeon will be very important to your safety, experience, and outcome- approach it with the care and respect you would any other very important relationship. Once you've decided who's hands you will trust with your safety and appearance- do trust them- follow their instructions carefully and completely.
6. If you do develop doubts, discuss them openly and respectfully with your surgeon.

I hope every patient achieves their very best sense of self this year- and that you are all smart and lucky enough to only have plastic surgery performed by surgeons certified by The American Board of Plastic Surgery.

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Anna Faris - Take Me Home Tonight (Film)

Anna Kay Faris (born November 29, 1976) is an American actress and singer. She is known for her recurring role in the Scary Movie film series, as well as her lead roles in The Hot Chick (2002), Lost in Translation (2003), Just Friends (2005), My Super Ex-Girlfriend (2006), Smiley Face (2007), and The House Bunny (2008). She also provided voice acting in the animated film Cloudy with a Chance of Meatballs (2009). Her first significant film role was in the independent production Lovers Lane (1999). Her breakout role was in the horror film parody Scary Movie (2000). The 5'4" Faris, a natural blonde, dyed her hair black for the filming of Scary Movie and Scary Movie 2, so that her character more closely resembled Neve Campbell, who played the corresponding character in Scream, the main film that Scary Movie parodied. Faris gained further popularity after she received the role of the recurring character Erica, the mother whose twin babies are adopted by Chandler and Monica Bing, in the final season of the American sitcom Friends. She also appeared in the critically acclaimed film Lost in Translation, in which she plays an actress promoting an action movie. Faris has appeared on the covers of Raygun, Playboy, Self, Cosmopolitan, and other magazines. She was listed as #57, #39, and #42 in Maxim magazine's "Hot 100" in 2004, 2009, and 2010 respectively. In 2009, she was ranked #60 in FHM's "100 Sexiest Women in the World", and ranked #96 in 2010. Ask Men featured her as #78 on "100 Most Desirable Women in the World" in 2009. In 2010, Cosmopolitan magazine named her "the Cosmo’s Fun Fearless Female of the Year" – stating that “She makes us laugh – and cringe – by pushing the limits of comedy in a way no other actress can."

Take Me Home Tonight (previously titled Kids in America) is an upcoming American retro comedy film set to be released in 2011. The film was written by the writers of That '70s Show, directed by Michael Dowse and starring an ensemble cast including Topher Grace, Anna Faris, Michelle Trachtenberg, Dan Fogler, and Demetri Martin. Shooting began on the week starting February 19, 2007, in Phoenix, Arizona. The title spawns from the Eddie Money song of the same name, also played in the theatrical trailer.The film follows the adventures of recent college graduate Matt Franklin (Topher Grace), his twin sister Wendy (Anna Faris), and his best friend Barry Nathan (Dan Fogler) as they attempt to come to a conclusion about what they should do with their lives. Matt also pursues his dream girl Tori Fredreking (Teresa Palmer) at a wild Labor Day party in 1988 by telling her that he works for Goldman Sachs when in actuality, he works at Suncoast Video. Principal photography for what was at time called Kids in America occurred in 2007, but Universal Studios shelved the project for a while. Topher Grace posited that the release of the film was delayed when the studio didn't know how to handle and promote a youth comedy film with portrayal of cocaine use, as the drug was prominent in the 1980s. Its release remained delayed until Relativity Media acquired the film. The film is scheduled to be released in the U.S. on March 4, 2011.

Take Me Home Tonight - Official Trailer [iamROGUE]

Anna Faris - Take Me Home Tonight (Film)

Anna Faris Soft Make Up

Anna Faris Fashion Style

Anna Faris Straight Hair

Skandar Keynes

Skandar Keynes Looks So Cute


Skandar Keynes Sharpen Gaze


Skandar Keynes With Narnia Costume


Skandar Keynes Cute Smile


Skandar Keynes Narnia Ceremony


Skandar Keynes Poster


Skandar Keynes Cool Pose

Avril Lavigne - Goodbye Lullaby (Album)

Avril Ramona Lavigne (pronounced /ˈævrɨl ləˈviːn/; born 27 September 1984) is a Canadian singer-songwriter, fashion designer, actress, and philanthropist. She was born in Belleville, Ontario, but spent the majority of her youth in the small town of Napanee. By the age of 15, she had appeared on stage with Shania Twain; by 16, she had signed a two-album recording contract with Arista (now RCA Records) worth more than $2 million. When she was 17 years old, Lavigne broke onto the music scene with her debut album, Let Go, released in 2002.Lavigne branched out from recording music, pursuing careers in feature film acting and designing clothes and perfumes. She voiced a character in the animated film, Over the Hedge, in 2006. That same year, she made her on-screen feature film debut in Fast Food Nation. In 2008, Lavigne introduced her clothing line, Abbey Dawn, and in 2009, she released her first perfume, Black Star, which was followed by her second perfume, Forbidden Rose, in 2010. In July 2006, Lavigne married her boyfriend of two years, Deryck Whibley, lead singer and guitarist for Sum 41. The marriage lasted a little over three years, and in October 2009, Lavigne filed for divorce. Whibley and Lavigne continued to work together, with Whibley producing her upcoming fourth album, as well as Lavigne's single, "Alice", written for Tim Burton's film Alice in Wonderland.Themes in Lavigne's music include messages of self-empowerment from a female or adolescent point of view. Lavigne believes her "songs are about being yourself no matter what and going after your dreams even if your dreams are crazy and even if people tell you they're never going to come true." On her debut album, Let Go, Lavigne preferred the less mainstream songs, such as "Losing Grip", instead of her more radio-friendly singles, such as "Complicated", saying that "the songs I did with the Matrix... were good for my first record, but I don't want to be that pop anymore." Lavigne's second album, Under My Skin, had more personal themes underlying each song. Lavigne explained, "I've gone through so much, so that's what I talk about.... Like boys, like dating or relationships". In contrast, her third album, The Best Damn Thing, was not very personal to her. "Some of the songs I wrote didn't even mean that much to me. It's not like some personal thing I'm going through." Her objective in writing the album was simply to "make it fun". Goodbye Lullaby, Lavigne's fourth album, is expected to be much more personal than her earlier records, with Lavigne describing the album as "more stripped down, deeper. All the songs are very emotional".

Goodbye Lullaby is the upcoming fourth studio album by Canadian singer-songwriter Avril Lavigne. The album is set to be released on 2 March 2011 through RCA Records (Sony Music. Lavigne described the album as being about "life". She stated, "It's so easy for me to do a boy-bashing pop song, but to sit down and write honestly about something that's really close to me, something I've been through, it's a totally different thing." The album is expected to be a return to Lavigne's older musical style and may be largely acoustic. With the exception of the album's lead single, Lavigne describes the songs on the album as different from her earlier material, "I'm older now, so I think that comes across in my music, it's not as pop-rock and it's a little more mellow and it's deep". She said, "[For] this record, I just really, really wanted to sing.... I just wanna have silence around me, and have these acoustic songs and really deliver." In November 2010, British producer Alex Da Kid, who worked with Lavigne as of August 2010, stated that some songs on the album will have a hip-hop sound. "We've got some things that are hip-hop leaning, and we've got some things that are more pop/rock leaning". In December 2010, it was announced that the songs produced by Alex Da Kid would not be on the album but Lavigne stated, regarding the songs he worked on, "we’re gonna do something with that stuff, I’m just not sure what yet". Lavigne described the first single off the album, "What the Hell", as "a broad message about personal freedom", calling it her "most pop track on the record", the least personal song from the album and the song most reminiscent of her previous work. Another track, "Stop Standing There", has been described as having an "early- '50s girl-group feel" and "Smile" is about Lavigne's gratitude for special people in her life. "Push" is about relationships and "Wish You Were Here" shows Lavigne's vulnerable side. Lavigne described the track "Everybody Hurts" as "different…but not different to stray away from who I am and what I am." "Goodbye", one of the two songs Lavigne wrote and produced on her own, is about moving on in life. Lavigne stated that "Goodbye" is the most personal song on the album and was the inspiration for the album's title.
The album's and lead single's release dates have been pushed back several times. The album was originally scheduled for release on 17 November 2009. Later, in January 2010, Lavigne stated that the album cover had been photographed and the first single would be released in April, followed by the album in June. In May, Lavigne said that she considered the album too serious and "mellow" and would return to the studio to balance the album out. "With an album, I don't want to rush it out.... I have a very serious record, so I think I need to put a couple upbeat, fun songs on it."In August 2010, Lavigne returned to Henson Recording Studios with producer Alex Da Kid. During these sessions, Lavigne had strep throat, and the people involved were required to wear surgical masks. Despite her doctor's warning, Lavigne recorded vocals. "I wasn't able to sing for the last forty-eight hours because I could do permanent damage to the vocal cords. My doctor told me not to, but I sang today." She revealed that she had been "trying new stuff" and that she was "exploring." Lavigne also added that she had enough material for two records.[Lavigne premiered the lead single, "What the Hell", on Dick Clark's New Year's Rockin' Eve on 31 December during a pre-taped segment along with a performance of "Girlfriend". "["What the Hell" is] a really fun, upbeat party song, so it worked out really well to play it for the first time on 'New Year's Rockin' Eve." The following day, "What the Hell" was available as a free download for 48 hours from Lavigne's official Facebook page. The video for the single was released in January 2011. Goodbye Lullaby is scheduled to be released on 8 March. Album's International Promotion was started with Lavigne's Japanese tour from 23rd january where she performed "What The Hell" On NHK.

Avril Lavigne - What The Hell (Single)

Avril Lavigne Hairstyle

Avril Lavigne With Her Lovely Guitar

Avril Lavigne Performance

Avril Lavigne Coloring Hair

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